The Music of Modern Times
November, December 1935: The 89-minute musical score to Modern Times takes its final form within the confines of the UA-leased Fox recording studios under the supervision of its composer, Charles Chaplin. A lengthy four-week-long session, unheard of by studio standards, during which Chaplin experimented both successfully and unsuccessfully, and each musician (and conductor) was at the whim of the meticulous composer.
During the writing of his City Lights score (1930-31) Chaplin had inevitably caught the film-composing bug which he endured the remainder of his natural life. After the completion of his next score, Modern Times he was to compose the scores for the initial releases of all of his remaining sound films: The Great Dictator (1940), Monsieur Verdoux (1947), Limelight (1952), A King in New York (1957) and A Countess from Hong Kong (1967).